MATTED Ltd.Ed. ART PRINT Yellow Labrador Retriever dog hunting duck lab Painting

Description

"YELLOW GOLD"  -  FULLY MATTED ART PRINT
Limited edition signed art print
THIS IS A NEW UNCIRCULATED ITEM, DIRECT FROM THE ARTIST  ~  PRINT IS SIGNED, NUMBERED LIMITED EDITION
Art print comes to you fully matted and mounted, with colors as shown -  A light brown top mat AND a brown inner mat that is premium black core. The black core inner mat adds an extra dimension, showing a thin black line where the bevel of the mat is cut
A BEAUTIFUL YELLOW LAB -- WATCHING THE DUCKS FLY!
The print is a NEW limited-edition Yellow Lab print, entitled "Yellow Gold", from watercolor artist Janet Wissmann's original watercolor painting of a Yellow Labrador Retriever watching two Pintail ducks in flight.  "Yellow Gold" is a signed and numbered art print, suitable for framing.
Image measures 11 x 14 inches.  Edition 1250 s/n prints
.  This matting includes a professionally-cut double mat, proper hinging of artwork, and proper acid-free backing board.
Outer matted dimension 16x20"
. This is the size frame you will need.
(I also offer this as an unmatted print - please look in my other listings, or message me and I'll direct you to the right page.)
SUPERIOR QUALITY  ~  This is a new, uncirculated print which comes directly from the artist.  It is a high-quality 4-color offset lithographic reproduction, made from Janet's watercolor painting. It is not a computer printor an inkjet print!  Yellow Gold is professionally printed with on real printing press by professional printers, not a computer printer, on heavy 100% acid-free conservation paper meant to last a lifetime.  The quality of the print far exceeds anything I can possibly show you on your monitor! Certificate of authenticity is included for each print.
SHIPPING / HANDLING  Shipping is usually U.S.Postal Service.
International bidders, please realize you will be responsible for your own country's duties, taxes, etc.
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About me
Janet Wissmann was accepted as member of the Society of Animal Artists, NY, in 1992. She has painted over 500 dogs, cats, horses, and other animals in her 25-year watercolor painting career. Many of the animals she has painted have been show animals, and many more of them have been beloved pets. Janet is best known for her watercolor pet portraits, Belgian draft horse
paintings, and realistic depiction of wolves. Learning about transparent watercolor methods is one of the best ways to appreciate the high quality of Janet's prints offered here.
I'll explain more about my method of watercolor painting:
The Magic of Transparent Watercolor
Transparent watercolor is a truly amazing and unique medium. It's clean, non-toxic, and environmentally sound, too. Watercolor paper is made from 100% cotton, and most of the paints are made from ground-up earth pigments. I have chosen transparent watercolor as my medium for animal portraits because of its many qualities which enhance the furry and feathery texture of animals. Although it is a difficult medium by many standards, I have found it to be worth the trouble because of the beautiful effects I can achieve. Transparent watercolor paintings are often very light and washy when the paints are applied quickly and loosely with big brushes and lots of water. My technique is a little different.
I DO begin by blocking in the shape of the animal with a light wash or two, but then I switch to a hair-by-hair approach as more and more layers of paint are added. Each additional layer of paint is a bit darker than the previous layer, and this slow layering of paint is what gives the painting its depth and clarity. A finished portrait may have as many as twenty layers of paint in the darker areas and one or two layers in the lightest areas. White paint is almost never used except for highlights in eyes or whiskers. The slow, gradual build up of watercolor layers may be very time-consuming, but it is also very rewarding, because the depth and clarity that result make the subject seem three-dimensional and lifelike, velvety and rich. I hope that by studying my paintings you will agree that watercolor is a beautiful medium and is perfectly suited to the portraiture of animals.
A Limited Palette
My palette for painting most animals consists of only about six rather plain colors—payne's gray, black,
burnt sienna, yellow ochre, cerulean blue, ultramarine blue—and an occasional hint of red or sap green. Using these modest colors, I can do almost anything necessary to make an animal portrait come alive.
Thinking Positively and Negatively
Transparent watercolor is indeed that: transparent. The white you see in a transparent watercolor painting is the white of the paper that has been left unpainted. When you look at a white (or very light) spot on the painting, you are looking at the pure, 100% cotton watercolor paper's surface with little or no paint on it. In all cases, these areas were intentionally left unpainted. The watercolor artist needs to perceive his/her subject in both negative and positive at the same time, and must consciously paint around areas that are meant to remain white or light.
No White Paint
In purist transparent watercolor paintings, white paint is generally forbidden. In fact, there is no such thing as white transparent watercolor paint! White paint is by its very nature opaque, not transparent; it covers up what's under it. But it also permanently changes the surface of the area covered, and its overuse can be very noticeable and unattractive. In my transparent watercolors of animals, I do occasionally have to use a tiny bit of opaque white paint in the final stage of painting to achieve tiny highlights in eyes or whiskers.
We hope that by learning about Janet's transparent watercolor methods you may have a better appreciation for the quality and value of her ltd. ed. prints that are offered here on eBay.